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| NUMBER 1704.— October 31, 2007 |
Aesthetic Realism was founded by Eli Siegel in 1941
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Dear Unknown Friends:
Ethics is the state of justice or injustice with which we see what's not ourselves. And Aesthetic Realism explains that it is the largest matter in the life of everyone. How fair do we want to be to a person—a person we're close to or one in another neighborhood or continent? How fair do we want to be to an object, a situation, a book, a song, an idea? Whether we know it or not, we judge ourselves on our ethics. How much we like ourselves, how much we feel deeply at ease and alive, depend ineluctably on how just we are to what's different from ourselves. In his Goodbye Profit System lectures of the 1970s, Mr. Siegel explained that the economics of the world is no longer able to proceed with ease and efficiency, and the reason is: the ethics that has been at its basis these many centuries is ugly. Today the failure of America 's profit-driven economics is all around us. While a few individuals are making huge amounts of money, it's well known that most Americans are less comfortable financially than their parents were, and expect their children to be worse off than themselves. According to the New York Times of October 12: “95 percent of Americans reported smaller incomes” than they had five years earlier. Further, “more people,” the Times tells us, have been “working longer hours”; and those “figures on incomes...help explain why so many Americans report feeling economic distress.” How much pain and fury in households across this land, how much humiliation, how much tormented worry, also how many hungry children, those phrases “smaller incomes” and “economic distress” include! Ethics—Behind Every Decision
Another story in the Times is a means of asking what kind of ethics has impelled the economic decisions of our profit system these many years. It appeared on the first page of the October 8 issue, with the headline “Dangerous Sealer Stayed on Shelves after Recall.” Reporter Eric Lipton recounts a history of injuries caused by a do-it-yourself spray product for sealing grout around tiles. Though according to its label the spray would “evaporate harmlessly,” this product sent scores of people to the hospital, caused two deaths, and made for lasting injury to the lung tissue of children and adults. Yet the manufacturer kept selling the product even after its harmfulness was abundantly clear, and therefore more people were injured. Was this decision impelled centrally by a certain kind of ethics? And what was that ethics? The Profit Motive “The product's maker,” writes Lipton, “...appeared... more concerned with protecting its bottom line than with taking steps to ensure that the hazard was removed.” Most people would agree that what the reporter is describing in this sentence is bad ethics. Yet he is describing the very basis of the profit system: the profit motive. That motive, toward human beings and objects and happenings, is: I want to make as much money as possible through you. It's not: I want to see you as you deserve; I want to understand you; I want to be fair to you. The profit motive is a phase of that motive, huge in everyone, which Aesthetic Realism identifies as the source of all injustice, cruelty, and narrowness: contempt, “the addition to self through the lessening of something else.” Never before in history has there been so much awareness that the profit motive and the desire to be just to people are at odds. Americans have seen, for example, that tobacco companies, because their motive toward humanity is profit, have tried to get people to buy cigarettes even though these companies have known for years that cancer and deaths would result. What kind of ethics does the profit system encourage in a person, perhaps a go-getter for a firm? It encourages you to make other people unreal, take away their humanity, make their feelings nonexistent—because once you see another person as being as real as you are, with hopes and fears and flesh like yours, you'll find yourself not so able to use him or her for profit. The profit system also encourages you to hope people are stupid, so you can manage them for your own aggrandizement. Take a person quoted in the Lipton article. After a researcher for the sealant manufacturer reported to her boss that in testing the product personally she grew dizzy and developed a headache and sinus irritation, her boss wrote a joking response: “Please instruct us where to send the body when the test is complete.” And, according to the Times, he “made it clear that he wanted to ensure the product remained on the market.” “We are doing everything,” he wrote, “to convince the Home Depot that there is no reason to take these batches off the shelf.” So is the ethics of the profit motive essentially good, with occasional unfortunate lapses? Or is its ethics centrally bad, wrong, ugly? It is the latter. The profit purpose, to make money from people's lives and needs, has led to child labor, sweatshops, industrial diseases, slavery—as well as to the everyday, taken-for-granted horror that some people are poor, that people have to worry about having enough in a world of plenty. A Certain Teamwork
Numerous American companies, many with big brand names, have hired foreign companies, called contract manufacturers, to make their product. The BBC quotes a person representing one such for-profit contract manufacturer in China, who says, We shouldn't be blamed for the tainted products—the culprits are the big brand firms that hire us. He says about the lead paint on toys:
This manufacturer acts innocent and victimized; yet he's saying that his interest in profit has him do things that will cause children to ingest lead. Meanwhile, he's likely right in pointing out that the US company, impelled by profit, didn't care how hurtfully the product was made. So one company's ill will used, encouraged, and was fortified by the ill will of a manufacturer thousands of miles away. Then of course there's what's behind this contract manufacturer situation to begin with: the fact that US companies, to make profit, now need to contract abroad so as to avoid paying American wages. This is part of the failure of the US profit system, and part of its inherent ill will for American workers. Ethics, Aesthetic Realism explains, needs to be aesthetics, the oneness of opposites: “To be ethical,” Mr. Siegel writes, “is to give oneself what is coming to one by giving what is coming to other things.” That ethics-as-aesthetics is what economics needs to be based on. It is now the only economic practicality, and is what the American people want. —ELLEN REISS, Class Chairman of Aesthetic Realism Injustice Has Become Inefficient By Eli Siegel Note. Mr. Siegel has been quoting from the textbook Economics, by John Ise (Harper & Brothers, 1946). The other aspects of life meet economics. We see that in the next passage. Thirty years ago a girl would say, “Well, I think I would like to study typewriting and maybe stenography. And I have a notion that if I get a good office job I might meet the person I wouldn't mind being my husband.” There are a good many novels about how the office is the first step to the altar. And that still may happen. Ise writes:
Something that entrepreneurs have to go after is reducing costs. Since the main cost anyplace production goes on is wages, you have to want to reduce that too—and of course be very nice about it. A phrase that is part of American life is “I asked the boss for a raise.” And the boss says, “If you knew what I was thinking of, you wouldn't be here.” Well, asking for a raise is a big thing in American life. Sometimes it gets into cartoons, like “Blondie,” with Dagwood. But it happens that executives ask for a raise too. A raise, quite clearly, is related to right and wrong, and right and wrong is of the very midst of ethics. Ethics & “the Supply of Labor”
But labor is either plentiful or not. There is a story about the old colony days and a person, a carpenter, who had committed a crime. The magistrate, in order to punish the crime, would have had to execute the carpenter. But he didn't want to do that because there weren't so many carpenters. So what he did was execute a cloth worker, because there were cloth workers already. That's a little exaggerated, but it shows that the need for labor is a very large matter sometimes, the right kind of labor. And when one sees oneself as the only shoemaker in a town, I think it goes to one's head. Ise deals with that too. There has been a feeling that ethics may have to do with love, with family maybe, with religion. But the idea that from the very beginning it had to do with production, distribution, consumption—PDC—that is not a real thing yet. So let's look at a sentence about the supply of labor. Malthus said something like this: that in order to abolish poverty we simply have to curtail the birthrate. Margaret Sanger said something like that too. Population is a sociological matter, but it's also economics, and it has a great deal to do with ethics. For example, sometimes two people separate because they don't know whether they want to have a child or not. We have this sentence:
An intense matter in American history is the anger with the Chinese in California in the 1870s, because they would work for lower wages than others. There has been the attempt to stop immigration because immigrants, at least in the beginning, would work for less than the American worker. But without the Chinese laborer, the Irish laborer, and the Italian laborer, the West wouldn't look the way it does now, with the railroads. “The supply of labor” sounds quite economic, but it means also so many human beings ready to do things that another human being wants. Standard of Living
That has something to do with the commotion about Jews leaving the USSR. The USSR sees itself as having educated those Jews who want to go, and it feels there should be some kind of return, while they want to leave and work for Israel. And the USSR, being somewhat capitalistic, doesn't like it. In other words, suppose you've worked very hard to give somebody a voice, and then instead of working for your show he wants to go somewhere else. You might get annoyed.
A notable work in the history of economics and also the history of literature, and something which is read more than ever, is Jonathan Swift's A Modest Proposal. It shows that a newborn child or a young infant is wealth. And we have the following:
A phrase for getting a job of any kind is selling oneself. And if that phrase selling oneself does not reek with drama and morality or immorality, I don't know what phrase does. Ethics Is Collective & Individual
I shall get back to Ise and present ethics as a tableau, as a series of situations that have solidity—each one is piquant and each brings up things that one doesn't know fully—and then ask, Is there something going on all the time? There is something going on all the time, because ethics can have the right value or the wrong value. There are three aspects to value: there are justice, beauty, efficiency. There are other aspects. They all have to do with ethics. And the relation of efficiency to what is just, is something to be seen. Keats said that the true and the beautiful are the same, but it has to be seen that somewhere the efficient and the just are also the same. We know that for many years they haven't seemed to be. The world has gone on on unjust ethics, and things have been produced, and the stores have been filled. Still, can there be an aspect of the world, a change of the world, where this unjust ethics will also be inefficient ethics? We have reached that point. Injustice has become inefficient. So I'll use books on economics, including more of Ise and others too, and, to be sure, current things, to show that there is a discrepancy between unjust ethics and the efficiency that the world wants. |
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Aesthetic Realism is based on these principles, stated by Eli Siegel:
1. The deepest desire of every person is to like the world on an honest or accurate basis. 2. The greatest danger for a person is to have contempt for the world and what is in it .... Contempt can be defined as the lessening of what is different from oneself as a means of self-increase as one sees it. 3. All beauty is a making one of opposites, and the making one of opposites is what we are going after in ourselves. |
First Thursday of each month, 6:30 PM: Seminars with speakers from Aesthetic Realism faculty Third Saturday of each month, 8 PM: Aesthetic Realism Dramatic Presentations The Right of Aesthetic Realism to Be Known (TRO) is a biweekly periodical of the Aesthetic Realism Foundation. Editor: Ellen Reiss • Coordinator: Nancy Huntting Subscriptions: 26 issues, US $18; 12 issues, US $9, Canada and Mexico $14, elsewhere $20. Make check or money order payable to Aesthetic Realism Foundation.
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